Lost Samba – Chapter 17/02 – Posto Nove, Ipanema
The Hotel Sol de Ipanema faced the beach almost on the corner of Rua Montenegro (which has since been renamed Rua Vinicius de Moraes), and it was a convenient landmark where my friends and I could all meet up at the beach. One Saturday morning, Edu and I were sitting by the sea in front of the hotel when we saw a lanky but toned guy in his forties wearing a crochet thong and playing beach tennis. His presence and his scandalously minuscule bathing attire drew our attention and, after looking at him for some time, Edu turned to me and asked, “Hey, isn’t that Gabeira?”
Edu was referring to Fernando Gabeira, one of the former exiles who had been involved in the 1969 kidnapping in Rio of the American ambassador, Charles Elbrick. In his best-selling autobiography, O que é Isto, Companheiro? (“What is this, Comrade?”), in addition to the insider’s revelations of the mythical world of a so-called “terrorist” organization, Gabeira declared in his book that during those “heroic” days he was actively bisexual, something scandalous for the left and for the right alike. Riding a wave of fame, Gabeira launched an alternative path for opposing the system that he termed the “politics of the body”. What he really meant by this is still debated, but a political statement that seemed to prescribe being true to yourself and engaging in a lot of sex as a path to revolution went down well in Ipanema.
Rio’s beaches had, and still have, an unofficial schedule and a territorial partition that allowed one to say, “Tell me when and where you sun bathe and I will tell you who you are.” At dawn, the fishermen from Copacabana now shared the coast with surfers, yoga and Tai Chi aficionados, while joggers and cyclists paraded on the promenade. Later in the morning, as when I was a child, the ownership of the beach shifted to families, encompassing children, mums, grandmas, nannies, dogs and all other sectors of Brazilian domestic life. Around midday, they went home and from then on the more interesting people who stayed on gave Rio’s beaches sub-divisions further definition.
In Ipanema, there were unofficial spots for bodybuilders, Jiu-Jitsu fighters and yuppies. Other stretches became known as an extension of the gay scene, there was a surfers’ point, an area for the favelados, one for white-collar workers, another for sex professionals (not coincidentally the same as that for tourists), and an area reserved for football players and their groupies. Then there was Posto Nove, the beach outpost attracting followers of 1960s and 70s lifestyles and ideologies.
After the Pier, the surfers point in the early 1970s, had lost its usefullness, trawlers and cranes had done the job of demolishing the structure. From then on the Nove inherited the status of being the beach’s permanent Woodstock, the prime meeting place for artists, musicians, actors and intellectuals – both those already established and also those who never would. With the recent political freedom, came the flags of the newly legalized leftist parties flapping above the beautiful people. Meanwhile the boys from Batista’s improvised bar ran back and forth to serve beer, snacks and the tastiest caiprinhas found on any of Rio’s beaches.
There was a tacit understanding between the police and the beach-goers that they didn’t trouble us as long as we didn’t create trouble for them elsewhere on the beach. However, during election campaigns things sometimes changed when traditionalist candidates would push the police to clampdown on pot smokers, but when raids occurred, the crowd would boo them away and arrests were rare.
A typical day at Posto Nove was like being at a club or at a laid-back rock concert. Whether or not we had met before, we would chat between us about women, football and politics, and when the sun grew too hot or if the conversation became boring there was always the sea enticing us. As the day wore on, we took long swims, did some body surfing and played beach tennis. When the sun started to go down people began leaving the beach. By five in the afternoon the oceanfront was much emptier and the atmosphere became more intimate and serene. The milder sun, the afternoon breeze, the peace that came after a day spent in the open air and the beauty of the place and of the people made the Nove a magical spot.
The beach sessions would end with everyone giving the sun a standing ovation as it slowly disappeared over the horizon. After that, we all went our separate ways, normally going home for a nap before heading out to one of the parties or gigs that we had talked about on the beach earlier in the day where our free-spirited, suntanned and youthful carioca tribe would reconvene.